Mulata Assanhada (part. Oswaldo Borba)

Elza Soares' song 'Mulata Assanhada,' featuring Oswaldo Borba, is a vibrant and provocative piece that delves into themes of attraction, desire, and the complex interplay of innocence and seduction. The term 'mulata' refers to a woman of mixed African and European descent, and in this context, it highlights the cultural and racial dynamics at play in Brazilian society. The song's lyrics describe a captivating woman who exudes grace and charm, yet also teases and unsettles those around her with her seemingly innocent demeanor.

The repeated phrase 'Ô, mulata assanhada' underscores the woman's allure and the effect she has on the people who encounter her. The lyrics suggest a sense of longing and admiration, as well as a desire to possess and control this enchanting figure. The line 'Ai, meu Deus, que bom seria se voltasse a escravidão' is particularly striking, as it evokes the historical context of slavery in Brazil and the lingering power dynamics that continue to shape relationships and perceptions of race and beauty.

Elza Soares, known for her powerful voice and emotive performances, brings a unique depth to this song. Her interpretation adds layers of meaning, as she navigates the fine line between celebration and critique of the societal norms that define and confine women of color. The song's playful yet poignant tone invites listeners to reflect on the ways in which beauty, desire, and power intersect, and to consider the broader implications of these themes in contemporary society.