Caseta de cobro

El Tri El Tri

A Critique of Government Corruption and Misuse of Funds

El Tri's song "Caseta de cobro" is a sharp critique of government corruption and the misuse of public funds in Mexico. The lyrics highlight the significant amount of money collected from toll roads on a single Sunday, suggesting that this revenue could be used to pay off national debt, buy marijuana, travel the world, or even build another Azteca Stadium. However, the song sarcastically points out that such beneficial uses of the funds are impossible because the government officials, referred to as "papa gobierno," would rather use the money for their personal luxuries, including travel, mistresses, houses, and bodyguards.

The song employs a mix of humor and sarcasm to underscore the frustration and disillusionment of the public with their leaders. By mentioning extravagant and somewhat absurd alternatives for the use of toll money, El Tri emphasizes the stark contrast between what could be done for the public good and what is actually done for personal gain. The repetition of the phrase "eso no puede ser" ("that can't be") serves to reinforce the idea that the current state of affairs is both unacceptable and entrenched.

El Tri, known for their rock and blues influences, often addresses social and political issues in their music. This song is no exception, as it taps into a widespread sentiment of dissatisfaction with government corruption. The band's straightforward and rebellious style resonates with many listeners who share these frustrations, making "Caseta de cobro" a powerful anthem of protest against systemic corruption and the misallocation of public resources.

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  1. Todo por el rocanrol
  2. Mujer diabolica
  3. Triste Canción
  4. Tu Mamá
  5. Las Piedras Rodantes
  6. Donde quedo la bolita
  7. Ya No Le Metas A Esa Madre
  8. Otro Pecado
  9. Niño Sin Amor
  10. Tu Eres Como Un Sueño
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