Rasputín

Divididos' song 'Rasputín' is a whirlwind of imagery and metaphors, blending historical references with modern-day critiques. The title itself evokes the enigmatic figure of Grigori Rasputin, a Russian mystic whose influence over the Romanov family remains a subject of fascination and controversy. This historical allusion sets the stage for a song that explores themes of power, deception, and societal decay.

The lyrics open with 'El rock and roll de Rasputin, metal y carnaval,' suggesting a chaotic blend of influences and styles, much like Rasputin's own unpredictable nature. The mention of 'credencial' and 'fe de hígado' hints at the need for authenticity and resilience in a world that often demands proof of one's worth. The line 'hay un Auschwitz en Liniers' is particularly striking, juxtaposing the horrors of the Holocaust with a contemporary Argentine neighborhood, perhaps to highlight ongoing injustices and the dark underbelly of society.

Further into the song, phrases like 'campera por corazón' and 'la foto sin canción' evoke a sense of emptiness and superficiality. The 'burrito a la televisión' line could be a critique of how media trivializes serious issues, turning them into mere entertainment. The 'fina línea entre el artista y el mono titi' underscores the thin line between genuine artistry and mere spectacle. The recurring theme of 'bucal' suggests a preoccupation with appearances and the superficial aspects of life.

Overall, 'Rasputín' by Divididos is a complex tapestry of metaphors and social commentary, urging listeners to look beyond the surface and question the realities presented to them. The song's chaotic structure and vivid imagery reflect the tumultuous nature of the world it describes, making it a thought-provoking piece that resonates on multiple levels.