LADO A, LADO B

D$ Luqi's song "LADO A, LADO B" delves into themes of identity, duality, and societal critique. The lyrics open with a powerful statement about the death of the ego, suggesting a loss of self or a shedding of superficial identities. This idea is reinforced by the line "Eu já perdi tudo, nada me detém," which translates to "I've lost everything, nothing holds me back." This could imply a sense of liberation from material and societal constraints, allowing the artist to express himself freely.

The song also touches on racial and cultural identity, with references to being a "pretinho gritando" and the juxtaposition of "Lado A, Lado B," which suggests a duality or contrast in experiences. The mention of historical and mythological figures like Galileo and Theseus adds layers of complexity, perhaps symbolizing the artist's quest for knowledge and strength in the face of adversity. The repeated line "A cena do rap é tipo Torre Eiffel" compares the rap scene to the Eiffel Tower, possibly critiquing how it has become a spectacle for outsiders, or "branquinho," who are merely tourists in a culture they don't fully understand.

The song's vivid imagery of violence and survival in the "Baixada Fluminense" region highlights the harsh realities faced by marginalized communities. The repeated phrase "Pega o menozin bolado" and the depiction of armed confrontations paint a picture of a world where young people are caught in cycles of violence. The closing lines referencing police operations in Rio de Janeiro further emphasize the tension and conflict present in these environments. Through "LADO A, LADO B," D$ Luqi offers a raw and unfiltered look at the struggles and resilience of those living in these communities.