Rebellion and Nightlife: The Essence of 'III' by C.R.O

C.R.O's song 'III' is a raw and unfiltered portrayal of nightlife, rebellion, and the struggles of urban youth. The lyrics paint a vivid picture of a world where parties stretch into the early hours, and the law is a distant concern. The repeated lines 'Hey, ya no hay delay' and 'Andamo' en el party como con ojeras loco' emphasize a lifestyle of constant partying and sleepless nights, suggesting a sense of escapism and defiance against societal norms.

The song's chorus, 'Hey, hey, fuck po y la ley,' is a direct rejection of authority and the police, reflecting a common sentiment in many urban communities where law enforcement is often seen as an oppressive force. This rebellious attitude is further highlighted by the lines 'Madrugadas donde la luna no llega loco,' which suggest a world that operates outside the bounds of conventional time and order, a nocturnal existence where the usual rules don't apply.

C.R.O also touches on themes of materialism and street life, with references to 'pieles de chita' (cheetah skins) and 'droga y Martini por to' la sala' (drugs and Martini all over the room). These lines depict a lifestyle of excess and indulgence, but also hint at the underlying struggles and dangers of such a life. The mention of 'wachos' (a slang term for young men) who are 'robando' (stealing) and 'drogando' (doing drugs) underscores the harsh realities faced by many in these communities. The song's gritty, unapologetic tone and vivid imagery make it a powerful commentary on the challenges and defiance of urban youth culture.

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  1. Infierno y Roll
  2. Mal De La Cabeza
  3. Diamante en Bruto (part. Franky Style y Lil Troca)
  4. Antes
  5. Todo Controlado
  6. Lágrimas (part. Troca)
  7. Siempre
  8. Rollin (part. Molok0)
  9. Basura (part. Duki)
  10. Llevame (part. Homer El Mero Mero)
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