Canto II

Clementina de Jesus's 'Canto II' is a powerful homage to African heritage and the enduring spirit of resistance among Afro-Brazilian communities. The song's repetitive and rhythmic structure, combined with its evocative lyrics, creates a sense of ritual and communal memory. The phrase 'Muriquinho piquinino' refers to a small child, symbolizing innocence and the continuity of life. The mention of 'parente de quiçamba na cacunda' suggests a connection to African roots, with 'quiçamba' being a reference to a traditional African drum, carried on the back, symbolizing the weight and importance of cultural heritage.

The repeated question 'Purugunta aonde vai' ('Ask where are you going') and the response 'pro quilombo do dumbá' ('to the quilombo of Dumbá') highlights the journey towards freedom and refuge. Quilombos were communities established by escaped slaves in Brazil, representing resistance against oppression and the pursuit of autonomy. This journey to the quilombo is a metaphor for seeking liberation and preserving cultural identity amidst adversity.

The chorus 'Ê, chora, chora gongo' ('Cry, cry gongo') adds a layer of emotional depth, invoking the sound of the gongo, a traditional African instrument. The gongo's cry can be interpreted as a lament for the struggles endured by the ancestors and a call to remember their sacrifices. The use of 'cambada' (a group or gang) emphasizes the collective nature of this memory and struggle, reinforcing the idea of community solidarity. Clementina de Jesus, known for her deep, soulful voice and her dedication to preserving Afro-Brazilian musical traditions, uses 'Canto II' to remind listeners of their roots and the enduring power of cultural resilience.