Dama, Dama

Cecilia's song 'Dama, Dama' paints a vivid portrait of a woman who embodies the duality of societal expectations and personal desires. The lyrics delve into the life of a woman who outwardly conforms to the traditional roles of a good mother, wife, and religious adherent, yet harbors a rebellious spirit beneath the surface. This duality is captured in the repeated phrase 'Dama dama de alta cuna, de baja cama,' which translates to 'Lady of high birth, of low bed,' suggesting a stark contrast between her public image and private actions.

The song critiques the superficiality and hypocrisy of societal norms. The woman described is a 'señora de su señor' (lady of her lord), indicating her subservient role in marriage, yet she is also an 'amante de un vividor' (lover of a scoundrel), highlighting her defiance and pursuit of personal pleasure. Cecilia uses this character to explore themes of repression and the facade of respectability. The woman’s life is filled with contradictions: she is a devout follower of religious commandments but is also willing to break them if not for fear. She is a brilliant conversationalist at social gatherings but is also deeply involved in spreading rumors and attending funerals.

Cecilia's lyrics also touch on the woman's intellectual pursuits and social activities, which are often at odds with her traditional role. She is an admirer of a 'novelista decadente' (decadent novelist) and a writer herself, though her literary efforts are dismissed as outdated. Her life is a series of performances, from attending charity teas to betting on horse races, all while maintaining an image of propriety. The song ultimately portrays a woman trapped between the expectations of her social class and her own desires, leading to a life of hidden rebellion and unfulfilled potential.