Medieval II

Cazuza Cazuza

Navigating Modern Love in a Medieval Mindset

Cazuza's song 'Medieval II' is a poetic exploration of the complexities of love and self-identity in the modern world. The lyrics juxtapose the desire to be seen as contemporary with a deep-seated connection to more traditional, even archaic, notions of romance and chivalry. The singer is asked to be more modern, but he feels that his love, though perhaps old-fashioned, is genuine and profound. This tension between modernity and tradition is a central theme, as he questions whether he is 'Medieval' while asserting his relevance in today's world.

The song is rich with metaphors that illustrate the singer's internal conflict. He speaks of building castles and embarking on tours to hell, symbolizing the highs and lows of his romantic experiences. The castles represent idealized, fairy-tale love, while the tours to hell signify the emotional turmoil and challenges that come with it. This duality is further emphasized by his belief in 'passion and beautiful windmills,' a nod to the romantic but often impractical ideals he holds dear.

Cazuza also critiques the superficiality of modern media and societal trends. He refers to the 'new Middle Ages' and the 'media of average novelty,' suggesting that despite technological and cultural advancements, society is still plagued by superficiality and mediocrity. His plea for genuine connection—'Look at me, give me your hand, then a kiss'—is a call for authentic, meaningful relationships in a world that often prioritizes appearances over substance. The song ultimately reflects a longing for a deeper, more sincere form of love and connection, even if it means being seen as out of step with contemporary norms.

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  1. Exagerado
  2. Dia Dos Namorados
  3. O Mundo É Um Moinho (part. Raphael Rabello)
  4. Exagerado 3.0
  5. Blues da Piedade
  6. Filho Único
  7. Balada de Um Vagabundo
  8. O Tempo Não Para
  9. Filosofia de Calçada
  10. Codinome Beija-Flor
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