Exploring the Mystical and the Marginalized in Miguel Bosé's 'Duende'

Miguel Bosé's song 'Duende' delves into the mystical and the marginalized, exploring themes of otherness and identity. The title itself, 'Duende', refers to a mythical creature often associated with folklore and the supernatural, known for its mischievous and elusive nature. The song opens with a question about the existence of someone 'out there' and references the enduring voice of the sea, suggesting a search for meaning or connection with the unknown.

The lyrics describe characters that seem to exist on the fringes of society, perhaps metaphorically representing those who are different or misunderstood. The mention of 'Tabú de luna' and 'Reina tú' could imply a celebration of the feminine or the lunar, which is often associated with mystery and intuition. The 'cowboy glasé' might symbolize a westernized or commercialized figure, contrasting with the more authentic and enigmatic beings the song seems to focus on. These characters are described as standing apart, in their own separate world, which could be interpreted as a metaphor for the isolation or distinctiveness of marginalized groups.

The song poses questions about the nature of these beings, wondering if they are spirits or angels, and why they might have fallen from grace. The imagery of 'Tacón pintado de carmín' and 'ambiguo dorado' paints a picture of vibrant, perhaps non-conforming, identities. The recurring theme of standing 'aparte' (apart) and the melancholic nights waiting for the day suggest a longing for acceptance or a place where they can belong. Overall, 'Duende' seems to be a poetic reflection on the beauty and pain of those who live at the edges of society, wrapped in a cloak of magical realism.

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  1. Morena Mía
  2. Si Tú No Vuelves
  3. Libre Ya de Amores
  4. Bambú
  5. Manos Vacias
  6. Aire Soy
  7. Amiga
  8. Amante Bandido
  9. Te Amaré
  10. Sevilla
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