Marília Mendonça (part. Mãolee)

BIN's song, featuring Mãolee, is a poignant exploration of love, loss, and the paradox of wealth without emotional fulfillment. The repeated line, 'Sem amor com o bolso cheio de onça,' translates to 'Without love with pockets full of money,' highlighting the emptiness that material wealth cannot fill. This sentiment is further emphasized by the reference to Marília Mendonça, a beloved Brazilian singer known for her 'sofrência'—a term that combines 'sofrer' (to suffer) and 'a dor' (pain), often used to describe songs about heartache and emotional suffering.

The lyrics delve into the narrator's struggle with unrequited love and the emotional toll it takes. Despite having financial success ('bolso cheio de onça'), the narrator finds it difficult to 'dance' or enjoy life without love. The mention of Marília Mendonça serves as a metaphor for expressing deep emotional pain through music, a nod to her influence in the genre of 'sofrência.' The repetition of this line underscores the cyclical nature of the narrator's emotional state, trapped in a loop of wealth and heartache.

The song also touches on themes of self-worth and the risks involved in love. The narrator acknowledges the value of their love interest, describing them as a 'piece of God stolen from heaven.' This divine imagery contrasts sharply with the mundane reality of their unfulfilled love, creating a sense of longing and reverence. The narrator's efforts to capture their feelings through art ('I made letters and paintings, I wore out the brush') further illustrate the depth of their emotional investment. Ultimately, the song is a heartfelt tribute to the complexities of love and the universal experience of emotional suffering, resonating deeply with listeners who have faced similar struggles.