Glorifizierung des Teufels

Belphegor's song 'Glorifizierung des Teufels' delves deep into themes of satanic worship and the inversion of Christian symbols. The lyrics are steeped in dark imagery and ritualistic language, painting a vivid picture of a nightmarish scene where the devil is glorified and traditional religious icons are desecrated. The repeated phrases 'Glorifizierung des Teufels' (Glorification of the Devil) and 'Zerbeisse das Kruzifix' (Bite the Crucifix) emphasize a rebellion against Christian norms and a celebration of the diabolical.

The song opens with a scene set under a cold full moon, where the protagonist is tempted by the devil and experiences a perverse form of ecstasy. The mention of 'Osculum infame' (the shameful kiss) refers to a ritual kiss on the devil's posterior, a symbol of ultimate submission and blasphemy in medieval witchcraft lore. This act of kissing the goat's hindquarters is a powerful metaphor for the complete rejection of Christian values and the embrace of satanic power.

Throughout the song, there is a stark contrast between the demonic and the divine. Demons hover above, overpowering angels of light, and the shadows bend under the devil's majestic presence. This imagery reinforces the theme of the devil's dominance and the subjugation of holy entities. The repeated glorification of the devil and the goat, along with the desecration of the crucifix, serves as a ritualistic chant, invoking the power and sanctity of the devil's flesh. Belphegor's use of German and Latin phrases adds to the song's dark, ritualistic atmosphere, making it a powerful anthem of satanic reverence.