As Above So Below

Behemoth's song 'As Above So Below' delves into the esoteric and mystical realms, drawing heavily from occult and religious symbolism. The title itself is a direct reference to the Hermetic maxim, which suggests that the microcosm (the individual) reflects the macrocosm (the universe). This theme is woven throughout the lyrics, creating a tapestry of spiritual exploration and existential questioning.

The song opens with vivid imagery of 'strange signs,' 'silent shadows,' and 'angels fallen on the earth,' setting a tone of otherworldly mystery. These lines suggest a world where the boundaries between the divine and the mortal are blurred. The mention of 'Nephilim child' and 'Elysium' further deepens this mystical atmosphere, referencing biblical giants and the ancient Greek concept of paradise, respectively. The lyrics question the nature of existence and the search for a higher state of being, whether it be among 'living trees' or 'fading stars.'

The song also explores a range of human emotions and experiences, from 'love' and 'sadness' to 'rapture' and 'divine rage.' This duality is mirrored in the lines 'Night is eternal / And day is eternal,' suggesting a balance between opposing forces. The invocation of 'IAO SABAO' and the protection of one's 'Daimon' (a guiding spirit) further emphasize the song's occult themes. The closing lines, 'As above, so below / Now it's time ov the Beast,' encapsulate the song's essence, merging the spiritual with the earthly and hinting at a transformative, perhaps apocalyptic, moment.

Behemoth, known for their blackened death metal style, often incorporates themes of mysticism, rebellion, and existentialism in their music. 'As Above So Below' is a prime example of their ability to blend complex lyrical content with intense musical composition, creating a powerful and thought-provoking experience for the listener.