Dios y El Diablo En El Taller

Adrian Abonizio's song "Dios y El Diablo En El Taller" paints a vivid picture of the eternal struggle between good and evil, set against the backdrop of a working-class environment. The lyrics describe God and the Devil whispering behind the protagonist's back, symbolizing the constant moral and ethical dilemmas faced by individuals. The Virgin Mary, depicted in a more humanized form, walks around in a nightgown, adding a touch of vulnerability and relatability to the divine figure. This imagery sets the stage for a narrative that explores the harsh realities of life, work, and survival.

The song delves into the monotony and despair of unemployment and underemployment, with lines like "Son dos desocupados más" (They are two more unemployed) and "El trabajo una zona que no está" (Work is a zone that doesn't exist). The mention of a radio broadcasting a zero-zero tie between Ferro and Platense, two Argentine football teams, underscores the sense of stagnation and lack of progress. The Virgin Mary, acting as a maternal figure, consoles and deceives the workers, reminding them that they must always pay their dues and urging them to return to the workshop to earn their keep.

The interplay between God and the Devil in the workshop serves as a metaphor for the choices and sacrifices people make in their daily lives. God, portrayed as a diligent worker, hums a tango and advocates for perseverance, while the Devil, bored and seeking excitement, suggests more hedonistic pursuits. This duality reflects the internal and external conflicts faced by individuals striving to balance their moral compass with the harsh demands of reality. The song ultimately highlights the resilience and endurance required to navigate life's challenges, urging the listeners to keep working and pushing forward despite the odds.