São Bento Grande Mandou Me Chamar

Abadá Capoeira Abadá Capoeira

The Spiritual and Cultural Depth of 'São Bento Grande Mandou Me Chamar'

The song 'São Bento Grande Mandou Me Chamar' by Abadá Capoeira is a rich tapestry of cultural, spiritual, and historical elements woven together through the art of capoeira. The lyrics open with the sound of the berimbau, a traditional Brazilian instrument integral to capoeira, setting the stage for a journey that is both physical and spiritual. The mention of São Bento Grande, a significant figure in capoeira, suggests a call to action or a summoning to engage in the practice, which is deeply rooted in Afro-Brazilian culture.

The protagonist of the song kneels by the berimbau to offer a prayer, seeking protection from Mãe Menininha, a revered figure in Candomblé, an Afro-Brazilian religion. This act of prayer highlights the spiritual dimension of capoeira, where practitioners often seek divine guidance and protection. The refrain speaks to the resilience and perseverance required in capoeira, emphasizing the importance of learning to fall and rise again, a metaphor for life's challenges and the wisdom imparted by Mãe África, symbolizing the ancestral knowledge and strength derived from African heritage.

The song also delves into the essence of capoeira, describing it as a blend of malícia (cunning), destreza (skill), and malandragem (trickery). These qualities are essential for capoeiristas, who must navigate the roda (circle) with agility and strategy. The cautionary note to 'nego velho' (old black man) about vadiagem (idleness) underscores the discipline and focus required in capoeira, warning against complacency. Through its lyrics, 'São Bento Grande Mandou Me Chamar' encapsulates the multifaceted nature of capoeira, celebrating its cultural heritage, spiritual depth, and the life lessons it imparts to its practitioners.

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  1. Zum Zum Zum
  2. O Berimbau
  3. Por Que Será?
  4. A Roda Vai Começar
  5. Areia Do Mar (pato)
  6. O Dia Que O Berimbau Chorou
  7. Dendê (fala Mansa)
  8. Sou Eu, Maitá, Sou Eu
  9. Hoje Tem Capoeira
  10. Às Vezes Você Não Entende a Capoeira
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